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A.G. Rizzoli: Architect of Magnificent Visions
March 27 - June 23, 1998

The architectural renderings of Achilles G. Rizzoli (1896 - 1981) reveal the secret obsession of the artist, who worked as a draftsman during the day and spent his evenings and weekends toiling at what he considered a divinely inspired project: the representation of a new world.
  A.G. Rizzoli
  The Kathredal
  1935
  Collection Ames Gallery
  Berkeley, CA








Over eighty detailed drawings--including approximately fifty ink drawings on rag paper and thirty graphite works on large pieces of vellum--are featured in the first museum survey of these extraordinary works. Rizzoli was a visionary and worked copiously and privately to illustrate and interpret his fantasies of a perfect world. Fascinated with words as well as images, he combined verse and captions with drawings to create plans for an imaginary city, including floor plans, elevations, and site maps. Upon Rizzoli's death, his works were stored in a garage until 1990, when they were discovered by Bonnie Grossman of Berkeley, California.
  


  A.G. Rizzoli
  Ytte Plot Plan--4th Preliminary Study
  1938
  Collection Ames Gallery
  Berkeley, CA




Rizzoli's obsessive and meticulously rendered drawings fit well with the Museum's emphasis on experimental architecture, seen in previous exhibitions of the work of such architects as Lebbeus Woods and Zaha Hadid. In addition, examining his representations of people and body parts as built structures informs the investigation of the relationship between the body--and, by extension, sexuality--and buildings. His work calls into question the boundaries between what has been considered fine art and the vernacular.

Rizzoli's utopian images build on a theme seen throughout the history of architecture, but his eclectic style is unique. Bay Area influences are evident in the turn-of-the-century flourishes and inspirations from the 1915 Panama Pacific International Exposition in San Francisco. The drawings combine Beaux-Arts architectural elements with motifs borrowed from Roman, Renaissance, Baroque, Art Deco, and Art Nouveau styles, creating an intricate fusion that remarkably avoids parody. Far from being a satirist, Rizzoli assigned himself the title of "earthly architect assistant and transcriber" to God. The sometimes cryptic texts incorporated as design elements into his drawings were most likely intended to elucidate Rizzoli's unearthly vision.

This exhibition is accompanied by a catalogue which is available at the MuseumStore. To order please call 415/357.4035 or email museumstore@sfmoma.org.




A.G.Rizzoli: Architect of Magnificent Visions
is organized and circulated by the San Diego Museum of Art. The national tour is made possible by a generous gift from Robert P. and Courtney Snowden. Additional support is provided by Drew and Arthur Gensler.


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